In this world everything or whatever we do seems like escaping from each other, from being called woman, girl, wife, feminine.
Summary[ edit ] The play takes place on a single day in Augustfrom around 8: The four main characters are the semi-autobiographical representations of O'Neill himself, his older brother, and their parents.
This play portrays a family in a ferociously negative light as the parents and two sons express accusations, blame, and resentments—qualities that are often paired with pathetic and self-defeating attempts at affection, encouragement, tenderness, and yearnings for things to be otherwise.
The pain of this family is made worse by their depth of self-understanding and self-analysis, combined with a brutal honesty, as they see it, and an ability to boldly express themselves.
The story deals with the mother's addiction to morphine, the family's addiction to whiskey, the father's miserlinessthe older brother's licentiousness, and younger brother's illness. Act I[ edit ] 8: Although that "vehicle" had served him well financially, he is now resentful that his having become so identified with this character has limited his scope and opportunities as a classical actor.
He is a wealthy though somewhat miserly man. His money is all tied up in property which he hangs onto in spite of impending financial hardship.
His dress and appearance are showing signs of his strained financial circumstances, but he retains many of the mixed affectations of a classical actor in spite of his shabby attire.
His wife Mary has recently returned from treatment for morphine addiction and has put on weight as a result. She is looking much healthier than the family has been accustomed to, and they remark frequently on her improved appearance.
However, she still retains the haggard facial features of a long-time addict. As a recovering addict, she is restless and anxious. She also suffers from insomniawhich is not made any easier by her husband and children's loud snoring.
When Edmund, her younger son, hears her moving around at night and entering the spare bedroom, he becomes alarmed, because this is the room where, in the past, she would satisfy her addiction.
He questions her about it indirectly. She reassures him that she just went there to get away from her husband's snoring. In addition to Mary's problems, the family is worried about Edmund's coughing; they fear that he might have tuberculosisand are anxiously awaiting a doctor's diagnosis.
Edmund is more concerned about the effect a positive diagnosis might have on his mother than on himself. The constant possibility that she might relapse worries him still further. Once again, he indirectly speaks to his mother about her addiction.
He asks her to "promise not to worry yourself sick and to take care of yourself. They speak about Mary's conduct. Jamie berates Edmund for leaving their mother unsupervised.
Edmund berates Jamie for being suspicious. Both, however, are deeply worried that their mother's addiction may have resurfaced.
They discuss the upcoming results of Edmund's tests for tuberculosis, and Jamie tells him to prepare for the worst. She is distraught about Edmund's coughing, which he tries to suppress so as not to alarm her, fearing anything that might trigger her addiction again.
When Edmund accepts his mother's excuse that she had been upstairs so long because she had been "lying down", Jamie looks at them both contemptuously. Mary notices and starts becoming defensive and belligerent, berating Jamie for his cynicism and disrespect for his parents. Jamie is quick to point out that the only reason he has survived as an actor is through his father's influence in the business.
Mary speaks of her frustration with their summer home, its impermanence and shabbiness, and her husband's indifference to his surroundings. With irony, she alludes to her belief that this air of detachment might be the very reason he has tolerated her addiction for so long.
This frightens Edmund, who is trying desperately to hang on to his belief in normality while faced with two emotionally horrific problems at once.
Finally, unable to tolerate the way Jamie is looking at her, she asks him angrily why he is doing it. Act III[ edit ] 6: Not wanting to be alone, Mary does not allow Cathleen to go to the kitchen to finish dinner and offers her a drink instead.Night to his day. Afterreading Judith Lorber article” Night to his day” the social construction of gender, I realized that we have been “doing gender” every day without us noticing - Night to his day introduction.
These “doing gender”activities have implement into our brain through life experience, parents and social life. UFC Fight Night predictions, preview, and analysis for the "Dos Santos vs. Ivanov" mixed martial arts (MMA) event on Sat., July 14, inside CenturyLink Arena in Boise, Idaho, on FOX Sports 1.
SparkNotes are the most helpful study guides around to literature, math, science, and more. Find sample tests, essay help, and translations of Shakespeare. According to the Longman Dictionary of American English the term “Gender” means “the fact of being male or female” ().
And from the same dictionary the meaning of the term “Sex” is “the condition of being male or female” (). Join our Speedway Super Fan Club.
You will receive emails from the Speedway with updates for Races, Newsletter, Schedule of Events, plus win prizes on Race Day! Night is used throughout the book to symbolize death, darkness of the soul, and loss of faith. As an image, it comes up repeatedly. Even when the scene is literally set during the day, night may be.